Pangea for a Day: Part II
Baha'i Perspectives June 27th, 2008
One of our readers, Samah Tokmachi, recently attended Pangea Day, an event whose aim is to bring the world together through the medium of film. Samah, himself a filmmaker, shares with us some of his experiences and observations from this historic event in a 2-part report. Thank you, Samah!
[Continued from Part I]
The next talk we heard was from Deborah Scranton, Matthew Modine and Lee Daniels on finding hope in telling terror tales. I very much appreciated this talk. Deborah has made a documentary on soldiers in Iraq called “War Tapes” and when she spoke of the need for her to remain non-political in her work, in order for people to listen to her, it resonated with me as a Bahá’í’. Matthew Modine addressed the tremendous changes wrought in the world since the American nation came into being, and how with less technology than is in your cell phone, we had landed on the moon. The theme he really brought home, which again resonated with my understanding of the Baha’i Faith, was how we as a species had been pulled together through technology. He added that the overriding narrative of our time is a global narrative. One thing in particular that Matthew said stays with me: “Your dreams as filmmakers can alter the way we live on this planet.”
Duncan North (”The Tao of Steve”) and Ondi Timoner (”Dig”) spoke about finding truth in a story. I was struck by Ondi’s comment that “Truth is achieved through a prism.” It reminded me of the Baha’i conception of consultation:
The shining spark of truth cometh forth only after the clash of differing opinions.
(Abdu’l-Baha, Selections from the Writings of Abdu’l-Baha, p. 87)
Following this was a talk by Udi Aloni (”Forgiveness”), Haile Gerima (”Sankofa”) and Marco Williams (”Banished”), who spoke on the subject of “Who tells the Story of the Other?” There was a lot of anger at the injustices in the world, as well as their lack of representation in the film industry. Haile, a Somali filmmaker, spoke at length on the difficulties faced by filmmakers of color. What impressed me greatly was her unifying statement that — while it is true that there is injustice — she had been touched by filmmakers of every hue and race, and that many different voices had empowered her as a filmmaker.
The last panel discussion was by Caroline Baron (”Capote”) and Alex Gibney (”Enron: The Smartest Guys in the Room”). Together they spoke of the impact of film on our society. To that end, Alex cited an example he learned of in making “Taxi to the Dark Side”. He told the story of how the U.S. military begged the producers of the show “24″ to change the hardball tactics of Jack Bauer, since it was giving new recruits the wrong idea about how to conduct interrogations. That was interesting I thought, and spoke of the complexity of the world we live in.
The last activity we did in our groups: shoot little films with these new and very high quality camera phones. So now I can honestly say I made and co-starred in a film with Matthew Modine!
The next day was the Pangea Day event itself, pulled off with tremendous aplomb. Everywhere I looked, everything I saw, seemed to embody a world-embracing vision. I won’t bother describing the remarkable program of inspiring short films, world music and edifying talks, but I do encourage you to check it out at www.pangeaday.org. I felt deeply humbled to attend both the Pangea Day Filmmakers Retreat and Pangea Day itself, and to be in the company of so many visionary individuals. I am grateful that I had the opportunity to teach the Baha’i Faith in a few instances.
I left inspired and aware of my solidarity with those likeminded groups and individuals who also see the world as a single homeland and all of humanity its citizens. And as a result, I felt a greater sense of empowerment and obligation in my work as a filmmaker. A great yearning came to me. A yearning to see more work from Bahá’ís, both infused with spiritual vitality and made for a global audience. The world is waiting for us and doesn’t even know it…